Kendall Roy of “Succession” is the poster child for performative male feminism

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For a non-spectator, the world of Succession– a world of oligarchs, private jets, potential political interference, $ 40,000 watches and having a favorite champagne (no sparkling wine here!) – can seem totally elusive. And that might be the case, at first glance, but deep down, the characters are hyperbolic manifestations of our worst impulses. Cousin Greg is the one viewers generally consider the king of the series with his charming fish out of the water act, but he’s actually Kendall Roy whose traits are most commonly seen in the real world, including her fake feminism, which is proudly on display in season three. If you’ve ever been lectured about privilege by a white man who won’t let you enter a word, this might sound a little too familiar.

The thing with Kendall is that he believes he’s a good person who does the right things for the right reasons. (The same can be said of his sister Shiv, to some extent.) When his father, Logan, informs him that he will be the scapegoat for the sexual assault allegations within the cruise division of the family business Waystar-Royco, Kendall goes survival fashion. If he goes down for the events that happened on the cruises, his future is practically over.

So Kendall takes the only option open to him: expose his father’s actions (or inaction) related to the allegations of sexual assault. As the son of a media descendant, Kendall knows the importance of creating a public narrative, so positioning himself as the White Knight is a wise move.

And that’s how our feminist king was born.

But not everyone is as enamored of Kendall as they probably would like, although his own delusion and narcissism keep him from realizing it. In episode three, when Kendall and her team play a ‘good tweet, bad tweet’ game, a ‘good tweet’ reads, ‘Allies might not come in the form we like. , but what Kendall Roy did was important and courageous. Kendall waves the compliment and receives an immediate and energetic ‘Boom!’

Nicholas Braun and Jeremy Strong in HBO Succession.

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It’s hard to tell if Kendall’s perception of himself is totally distorted, or if he really has the beliefs he’s trying to espouse, but his natural tendencies and self-interest get in the way of his. path. No matter what it is, that pride makes him believe he’s acting in the best interests of survivors and women at large, as long as it suits him. He’s like the guy on the dating app who says he’s looking for a “strong woman” and then calls you a misogynistic insult if you say you’re not interested – if that guy had millions of dollars in. its layout.

In fact, since the show’s premiere, Kendall has turned to women for their approval and attention when he can’t get it from Logan, only to talk about it, ignore them, or get visibly angry (and sometimes audibly) against them when they don’t do exactly what he wants.

The first sign of this behavior occurs during the first season, when Kendall plans to invest in an app run by young female artists. When he meets one of the founders, Angela, at a party later, she tells him that they turned down his investment due to the toxicity of his family’s brand, something Kendall struggles with. understand then that he pursues her and reprimands her publicly. Then Kendall orders her business partner to call immediately. Sixth page and start a rumor that the founding women are “sluts” and “junkies” after their rejection of his offer.

This season, Kendall is wasting no time doing feminism since defining the narrative and getting ahead of her father are paramount to her interests. He hires powerful women to lead two key areas for him, public relations (Berry Schneider) and legal battle (Lisa Arthur) – taking a page from the actual playbook of Harvey Weinstein and Jian Ghomeshi, who have surrounded themselves. of women in their defense against allegations of sexual assault. (Logan, unsurprisingly, wants to do the same.)

Jeremy Strong as Kendall Roy on HBO Succession.

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And Kendall doesn’t just use women as a shield, but especially women of color, for whom no status or money can ever stand up against the power and societal influence of a white man.

Yet despite hiring women at the top of their estates, Kendall still wields her power by talking to them, outright ignoring them, barking orders at them, and even failing to say thank you. Some ally.

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